10 reasons why home studios suck
Don’t get the wrong idea from this article, I’m not hating on home studios, I have a home studio, I host The Home Recording Show. I’m not complaining, just pointing out some of the negative sides of the average home studio. An average home studio being a room in a house or apartment that was not specifically built to be a recording studio. Purpose built home studios are the exception, they have some of the qualities of professional studios, but some of the downsides still apply.
- Less than ideal acoustically. More often than not the home studio is a spare bedroom or in the corner of the basement. Most home studios have little invested to improve the sound in the room.
- Noise issues. Professional studios are constructed with extreme acoustic isolation in mind. They keep sound from escaping and outside sounds interfering, allowing them to operate at any time of day. In the home studio you have to deal with your neighbor mowing his lawn, children running around and other noises. Additionally you can’t work at a normal volume too early or too late in the day without neighbors or your family complaining.
- Never ending money pit. You may think you have everything you need but it won’t be long until you succumb to G.A.S.
- Low perceptions of quality. If you’re trying to use your home studio to make an income, there is a limitation on the kind of work you’ll get. A major label is not going to send a band to your bedroom to make a record. There is still plenty of jobs you can do at a quality level but you’re at a disadvantage from the start.
- Pro studio owners HATE you because you take business away and put out an inferior product. Whether that is true or not can cause some heated debate.
- A major distraction. You just wanted to make a quick recording of a song idea. You spend the next two hours doing software updates, scrolling through synth patches to find the perfect one and oops you’ve forgotten that great idea for a song.
- It changes your role from musician to engineer. Instead of spending your time improving your playing and songwriting abilities you must spend your time learning recording techniques, troubleshooting,
- Equipment that doesn’t match in quality or is low quality overall. Cheap mics into a cheap mixer into a built-in soundcard using cheap cables. If you want a professional sound there is a minimum level of equipment that must be invested.
- Less respect for your time. I’m finding I sit around waiting for late clients much more in my home studio than as a staff engineer at a studio. Another side of this, a band spends two years recording their album in their home studio but could have gotten the same or better results in two week at a professional studio. Time has value.
- It never ends. Without strict self imposed time limits you will never finish the album. A fear of commitment and the ability to tweak absolutely anything makes things take so much longer than necessary.
So there’s 10 negative sides to this Home Studio thing we’ve gotten ourselves into. Obviously these don’t apply to everyone, and some points are very general.
Without my home studio, this website and half my income wouldn’t be here. On the other hand I’d probably have a lot less grey hair on my head and a lot more money in the bank.
I’m well aware of the limitations of my studio (the room specifically) and what it is perfectly capable of accomplishing, however this doesn’t satisfy me.
There is a long of discussion of this topic on episode 65 of The Home Recording Show.
Comments? Agree or disagree? Tell Me!




7 Responses to “10 reasons why home studios suck”
By Darren Landrum on Feb 23, 2010 | Reply
I treat the idea of having a home studio the same as having a home science lab. To me, the result of the experiment IS the result of interest. And indeed, my basement studio is going to be part electronics bench, part physics lab, and part mixing studio.
I have rockwool for making some sound treatments. It’s a cinder-block basement so it’s pretty soundproof already. I’ll just sample, record, and use whatever I can build or whatever I find that sounds good. I’m not aiming to have my own home studio, I’m aiming to have my own Room 13.
By Joe Gilder on Feb 23, 2010 | Reply
You nailed it, dude.
It’s a harsh truth, but you’re right. As good as your gear is, you’re only going to be able to do so much in a typical bedroom studio. The high-ticket sessions just simply aren’t going to come your way.
By Travis Whitmore on Feb 23, 2010 | Reply
Great post! I think all of us home studio owners can learn a few things from this. I do think, however, home studios and online collaboration is opening the door for many musicians who simply would never record their music to begin with.
By Dance me on Feb 25, 2010 | Reply
You can use this list to avoid some of this reasons even in home studio. Time management is the biggest of the problems appearing if your working in home studio. So work on it and you’ll have much more luck even in home studio.
By Marcello on Feb 26, 2010 | Reply
Of course, if you’re a musician and you’re using your home studio solely for your own work, there’s one big advantage: time! You can do as many takes as necessary to get the performance right. You’re not staring at the clock wondering how much each slightly-off-key phrase is going to cost you. And if you suddenly decide to rework the melody in the middle of a session, go ahead and give it a try! You may have wasted some time, but your bank balance is safe.
It’s often said that the most important aspect of recording is “getting it right at the source”. That applies to the performance as well as the audio quality. A professionally-recorded lousy performance isn’t likely to impress anyone. But a good performance with a few audio glitches just might get over. Heck, the Ramones made a career out of it!
By Jay on Mar 11, 2010 | Reply
I disagree. nowadays people dont even notice quality of your sounds unless its horrible. if u create and mix decent your good
By Joe Gilder on Mar 11, 2010 | Reply
@Jay – But this is exactly what he’s getting at with this article. Of course your mixes need to sound good. The whole point is that the limitations of a home studio make it difficult to get a decent mix.
You’re right, people don’t care WHERE the music came from as long as it sounds good, but they will notice if the mix is sub-par.